Snap, crackle and pop
The vinyl cult of slow
And they called it puppy love
My love affair with all things phonographic started before I’d even learnt to walk. Family legend has it that by the age of two I had figured out how to flick the ‘start’ button on our venerable, Teutonic-tank-quality Dual HS 43 fully automatic turntable with my chubby little fingers, all so I could listen to a small troupe of voice actors perform a fairy tale in the style of a radio play. The deck’s combination of warm wood veneer and cool steel dials exuded a quiet authority, while its sheer heft gave it its own gravitational field – one I couldn’t help orbiting. For me, it was the late-70s equivalent of the iPad: self-service bliss. Lying on the floor with my head pressed against one of the speakers, I was instantly transported – sometimes, as the photo above attests, to the Land of Nod. But it wasn’t just the audio. I was mesmerised by the spinning of the record, the click-whirr-click of the tone arm lifting and gliding across to juuuust the right spot before gently kissing the vinyl and slipping into the run-in groove with a satisfying little pop.
Now, several feet taller and untold shades greyer, I’m back.


